Cape No. 7

Posted by Jenniffer Sheldon on Sunday, January 21, 2024

A big-hearted let's-put-on-a-show comedy centered on a despondent musician who gets his mojo back with a band of eccentric amateurs in his provincial hometown, "Cape No. 7" reps a promising debut by Taiwanese helmer Wei Te-sheng.

A big-hearted let’s-put-on-a-show comedy centered on a despondent musician who gets his mojo back with a band of eccentric amateurs in his provincial hometown, “Cape No. 7” reps a promising debut by Taiwanese helmer Wei Te-sheng. After a slow start on Aug. 22 domestic release, pic has become one of the most successful Taiwanese films ever, with a gross exceeding NT$400 million ($12 million). Announced as Taiwan’s foreign-language film Oscar submission, this charmer has remake potential and strong regional prospects, though chances of a big bust-out in Western markets look slim.

Related Stories

Illustration of a digital brain surrounded by film festival awards laurels VIP+

What Film Fund From AI Startup Runway Means for Content’s Future

nobody wants this monsters menendez

Luminate Streaming Ratings: 'Nobody Wants This' and Menendez Brothers Series Tie With 1.7 Billion Minutes Watched September 27-October 3

Downcast after failing to crack the Taipei music scene, Aga (pop singer Van Fan, credited as Van) returns to the coastal town of Hangchun and takes a job as a postman. Everyone else in the picturesque tourist destination buzzes with excitement when it’s announced that a local band will be recruited to play as curtain-raiser at an outdoor concert headlining (real-life) Japanese pop star Kousuke Atari.

Popular on Variety

Hilariously in charge of arrangements is Aga’s stepfather, “Mr. Representative” (Ma Ju-lung), a motor-mouthed council official who wants Aga to lead the support act to glory. It’s only a matter of time before Aga steps up to the microphone, but not before a funny run through the time-honored audition sequence.

The lovable oddballs eventually gathered around Aga include drummer Frog (Ying Wei-man), an excitable motorcyle mechanic; Uncle Mao (Johnny C.J. Lin), an 80-year-old postman who swaps his gekkin (traditional Chinese lute) for an electric bass guitar; and Dada (Joanne), a 10-year-old keyboard player from the church band who insists on finishing every song with an “amen.”

Pic hums along nicely with the band’s creative squabbles and personal dramas en route to inevitable triumph at the big gig. Giving a large and mostly inexperienced cast plenty of room for boisterous thesping while keeping a tight rein on any overkill, Wei shows real flair for comedy and underpins the fun with compassion for the disappointments and loneliness hidden inside many of the characters.

Less engaging is a 1945-set wrap-around love story intended to light a halo around Aga’s romance with Tomoko (Chie Tanaka), a Mandarin-speaking Japanese ex-model; the attempt to draw poetic parallels across time zones is hampered by the mechanical nature of Aga and Tomoko’s cross-cultural attraction.

Colorful production design and costuming look terrific in widescreen, and lenser Chin Ding-chang’s coverage of Hengchun won’t harm the tourist trade. Peppy score and catchy concert songs keep the toes tapping. Other technical work is solid.

In a surprise development, considering that the romance between a Taiwanese and a Japanese during Japan’s period of occupation could easily constitute grounds for banning the film on the Chinese mainland, pic was approved for exhibition there early November. China Film Group will handle disribution.

Read More About:

Jump to Comments

Cape No. 7

Taiwan

  • Production: A Buena Vista Intl. release of an ARS Film production. (International sales: Good Films Workshop, Taipei.) Produced by Lin Tien-kui, Tony Hu, Cheng Ming-fu, Lewis Lu, Chang Chang-ti. Executive producers, Jimmy Huang, Wei Te-sheng. Directed, written by Wei Te-sheng.
  • Crew: Camera (color, widescreen), Chin Ding-chang; editors, Lai Hui-chuan, Su Pei-yi; music, Fred Lu, Lo Chi-yi; production designer, Tang Chia-hung; sound (Dolby Digital), Tu Duu-chi; associate producers, Li Ya-mei, Rebecca Chen; assistant director, Lien Yi-chi; casting, Icha Liu, Li Hsui-luan, Chen Han-shun. Reviewed at Pusan Film Festival (A Window on Asian Cinema), Oct. 8, 2008. (Also in Taipei, Hawaii, Taipei Golden Horse film festivals.) Running time: 129 MIN.
  • With: With: Van, Chie Tanaka, Ma Ju-lung, Johnny C.J. Lin, Joanne, Kousuke Atari, Ying Wei-man. (Mandarin, Japanese, English dialogue)

More from Variety

Most Popular

Must Read

Sign Up for Variety Newsletters

By providing your information, you agree to our Terms of Use and our Privacy Policy.We use vendors that may also process your information to help provide our services. // This site is protected by reCAPTCHA Enterprise and the Google Privacy Policy and Terms of Service apply.

Variety Confidential

A Variety and iHeartRadio Podcast

ncG1vNJzZmiukae2psDYZ5qopV9nfXGEjp%2BgpaVfp7K3tcSwqmibkaWybrrOZm5maWJlfXWDkWxubGc%3D

CATALOG
    FEATURED TAGS